TA 13 AFGANİSTAN ÖZBEK KADIN EDEBİYATINDA MODERN ŞİİRİN ÖNCÜLERİ


AFGANİSTAN ÖZBEK KADIN EDEBİYATINDA MODERN ŞİİRİN ÖNCÜLERİ
AKYÜZ Murat
Öğretim görevlisi, Doktor
Nile University Of Nigeria
Email: akyuz.murat@gmail.com
Tel: +2349058925939
Özet:Afganistan’ın tarihi, sosyal ve kültürel şartlarından dolayı klasik ve geç dönem Çağatay edebiyatının gerek biçim ve üslup gerekse kullanılan motifler açısından devamı olan Afganistan Özbek edebiyatında halen aruz vezniyle klasik tarzda gazel ve rubai tarzında şiirler yazılmakta, şiirlerde kandil, mum, gül, bülbül, Leyla, Mecnun vb. motifleri kullanılmaya devam edilmekte ve kadın şairleri şiirlerini yazarken duygularını gizleyerek kendilerini Mecnun, sevdiklerini ise Leyla gibi göstererek erkek ağızlı şiirler yazmaktadırlar.
Bu çalışmamızda Afganistan Özbek kadın edebiyatında modern şiirin öncüleri olarak öne çıkan Şefika Yarkin, Asife Şadab ve Ferişte Ziyayi’nin getirmiş oldukları yenilikler üzerinde durulmuştur.
Anahtar kelimeler: Afganistan, Özbek şaireleri, Özbek şiiri, kadın şairler,Afganistan Kadın Özbek Edebiyatı

АФГАНИСТАНДЫН (ООГАНСТАНДЫН)  ӨЗБЕК АЯЛ АДАБИЯТЫНЫН АЗЫРКЫ ПОЭЗИЯСЫНЫН КӨРҮНҮКТҮҮСҮ
Корутунду: Афганистандын (Ооганстандын) тарыхый, коомдук жана маданий шарттарга байланыштуу классикалык жана кеч Чагатай адабияты, талап түзүлүшү жана стили, ошондой эле ой жагынан улантуу колдонулган Афганистан (Ооганстан) өзбек адабиятында  дагы ырлары менен классикалык стили казал жана рубаи стилинде ырлары жазылып келген. Ырларда  чырак шам чырак жазылган, шамдар, гүлдөр, булбулдар, Лейла, Maжнун жана башкалар. Мотивтер (ой, обондору, ыргагы)  ары да улантылган, жана аял акындар ырларын жазууда сезимдерин жашырып өздөрүн  Мажнун, сүйгөндөрүн болсо Лейла сыяктуу көрсөтүп эркек акындар жазгандай жазышкан.  
Бул изилдөөдө, Афганистандын (Ооганстандын)  өзбек аял адабиятынын азыркы поэзиясынын көрүнүктүүсү болуп алдыңкысы саналган Шефика Яркын, Асифе Шадаб жана Фериште Зиянын
 Жаңы багыттары тууралуу сөз кылмакчыбыз.
Ачкыч сөздөр: Афганистан (Ооганстан), Өзбек акындары, өзбек поэзиясы (ырлары), аял акындар, Афганистан (Ооганстан) аял өзбек адабияты
НОВАТОРЫ СОВРЕМЕННОЙ УЗБЕКСКОЙ ЖЕНСКОЙ ЛИТЕРАТУРЫ АФГАНИСТАНА
Аннотация:  История Афганистана, и   ее  социальные  и культурные  условия  служили основой для продолжения Чагатайской литературы классического и позднего периодов. Современная узбекская литература Афганистана продолжает традиции Чагатайской литературы, поскольку в ней все еще используются классические  четверостишья в стиле газели  и рубаи в просодическом ритме. В узбекской женской поэзии Афганистана используются мотивы   Лейли и Меджнуна, воображения у  керосиновой лампы, романтика свечи, розы,  поющие соловьи. В данной статье рассматривается   творчество   новаторов современной  узбекской женской  поэзии   Афганистана, таких как Шефика Йаркин, Азифе Шадаб, Фериште Зияи.
Ключевые слова: Афганистан, узбекские поэты, узбекская поэзия, поэтессы, узбекская  женская  литература  Афганистана.
THE PIONEERS OF THE MODERN UZBEK WOMEN’S LITERATURE IN AFGHANISTAN
Abstract:  The history of Afghanistan and its social and cultural conditions were the basis for the continuation of the Chagatai literature of the classic and late periods. The Modern Uzbek Literature in Afghanistan continues the traditions of the Chagatai literature, because it still uses the classic quatrains in the style of ghazal and rubai in prosodic rhythm. In Afghanistan the Uzbek women's poetry uses motifs of Layla and Majnun, the imagination of a kerosene lamp, romantic candles, roses, and nightingales singing. This article studies the works of    Shefika Yarkin, Asif Shadab, Firishta Ziyai, who were the pioneers of the contemporary Uzbek poetry by women in Afghanistan.
Keywords: Afghanistan, Uzbek poets, Uzbek poetry, female poets,   Uzbek women’s    literature in Afghanistan


Akyuz, M. (2017). Specific Features Of The Uzbek Women’s Poetry In Afghanistan. Journal of International University of Kyrgyzstan(1(31)), 165-168.

Akyüz, M. (2017, 03). Afganistan Kadın Özbek Şairlerinin Ve Şiirlerinin Özellikleri. Вестник Международного университета Кыргызстана(1 (31)), 84-89.
 

https://drive.google.com/open?id=1QXBcCKrAzzHb-Q3Upp8HXeXf0N8TYcMy

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